ARTIST BOOKS

‘A little depth to the surface’,
 Monotypes on 300gsm Velin Arches, Concertina with hard-back printed cover, Edition Variable of 3, 2023


Disturbance to a natural habitat’, Etching on 250gsm Velin Arches paper, Concertina fold with debossed relief wrap cover, 19x56cm open/19x15cm closed, Edition of 9, 2023 


‘A curse on an isolated landscape’,
Graphite drawings mounted on Zerkall 145gsm paper, Saddle stitch bound with drawn graphite hard cover, 2023


'The difficulty of walking with two feet on the ground', Monotypes with beeswax and thread, Silk Gampi, Tri-fold hard cover, 2023


‘firesmoke’, Monotypes on silk, dipped in beeswax, hand ground ink from charred sticks collected from 2019 fire site (Victoria), Stab bound, in gilded box enclosure, 2022


‘Partly concealed movements’, Photopolymer etchings on 250gsm Velin Arches, Concertina with printed hard bound coverm, 20x15cm closed / 20 x 120cm extended, 2022


‘kismet’, Etching on 250gsm Velin Arches, 19x15 cm closed / 19x60 cm open, Edition of 6, 2019



‘Signals’, Graphite drawings on 10gsm Silk Gampi Tissue and 70gsm drawing paper, Stab bound with debossed hard cover, 21 x 30 cm, 2019


‘Thwaites’, Monotypes on 250gsm Velin Arches, Coptic bound with wrap cover, Edition Variable of 5, 2019

‘To Do #1’, Monotypes on Kozo paper, Coptic bound with wrap cover, 28 x 24 x 3.5cm (closed), 2018
A unique state artist book consisting of 100 blind monotypes depicting a series of works that explore the removal of active inhibition in mark making. The prints were made in immediate succession and are bound in the order they were printed. The title 'to do' plays on the idea that the book itself could become a body of reference for further works. The white kozo paper, stark borders and precise coptic binding provide a  formalised structure to the prints. 



‘Fortitude’, Monotypes on 300gsm Velin Arches paper. Concertina format with printed hard cover and rice paper interior, 19 x 28cm closed / 28 x 76cm open, 2018


‘Land Mass’, Monoprints on Hosho paper, Coptic bound with wrap cover, 19 x 24 cm (closed), Edition Variable of 4, 2018


‘Land Forms’, 36 monoprints printed on Ho-Sho paper, coptic bound, Unique State, 19 x 28 x 1.7 cm, 2017 (Shortlisted in the Fremantle Print Award 2017)


‘escape/landscape’, Monotypes on on 150gsm Hahnemuhle paper, Unique State, 2017


‘Imagined Landscapes; Bethell’s’, Unique state silk screen concertina artist books, Edition of 9 , 19.7 x 29 cm closed / 19.7 to 58 cm open / 19.7 x 232 cm open (Full Extension), 2017



‘Imagined Landscapes; Kaipara’, Monotypes on Stonehenge 250gsm paper, Concertina format with handwritten title on sewn tissue paper sleeve, Edition Variable of 18, 2017



‘Rockwash Backbone’, Aluminium Plate Lithograph on Somerset Satin 300gsm paper, Concertina structure with wrap cover, Edition of 20, 19.5 x 28.5cm closed / 150cm x 28.5cm open, 2016

I acknowledge the Wurundjeri People as the traditional custodians of the land on which I live and work. I pay respect to Elders past, present and emerging, and extend this repect to all First Nations people.  Sovereignty was never ceded.